On referring to my notebook for the year 1895, I find that it was upon Saturday, the 23d of April, that we first heard of Miss Violet Smith. Her visit was, I remember, extremely unwelcome to Holmes, for he was immersed at the moment in a very abstruse and complicated problem concerning the peculiar persecution to which John Vincent Harden, the well known tobacco millionaire, had been subjected. My friend, who loved above all things precision and concentration of thought, resented anything which distracted his attention from the matter in hand. And yet without a harshness which was foreign to his nature, it was impossible to refuse to listen to the story of the young and beautiful woman, tall, graceful, and queenly, who presented herself at Baker Street late in the evening, and implored his assistance and advice. It was vain to urge that his time was already fully occupied, for the young lady had come with the determination to tell her story, and it was evident that nothing short of force could get her out of the room until she had done so. With a resigned air and a somewhat weary smile, Holmes begged the beautiful intruder to take a seat, and to inform us what it was that was troubling her.

“At least it cannot be your health,” said he, as his keen eyes darted over her: “so ardent a bicyclist must be full of energy.”

She glanced down in surprise at her own feet, and I observed the slight roughening of of the side of the sole caused by the friction of the edge of the pedal.

“Yes, I bicycle a good deal, Mr. Holmes, and that has something to do with my visit to you to-day.”

My friend took the lady’s ungloved hand, and examined it with as close an attention and as little sentiment as a scientist would show to a specimen.

“You will excuse me, I am sure. It is my business,” said he, as he dropped it. “I nearly fell into the error of supposing that you were typewriting. Of course, it is obvious that it is music. You observe the spatulate finger-ends, Watson, which is common to both professions? There is a spirituality about the face, however” — she gently turned it towards the light — “which the typewriter does not generate. This lady is a musician.”

“Yes, Mr. Holmes, I teach music.”

“In the country, I presume, from your complexion.”

“Yes, sir, near Farnham, on the borders of Surrey.”

“A beautiful neighbourhood, and full of the most interesting association. You remember, Watson, that it was near there that we took Archie Stamford, the forger. Now, Miss Violet, what has happened to you, near Farnham, on the borders of Surrey?”

The young lady, with great clearness and composure, made the following curious statement:

“My father is dead, Mr. Holmes. He was James Smith, who conducted the orchestra at the old Imperial Theatre. My mother and I were left without a relation in the world except one uncle Ralph Smith, who went to Africa twenty-five years ago, and we have never had a word from him since. When father died, we were left very poor, but one day we were told that there was an advertisement in the Times, inquiring for our whereabouts. You can imagine how excited we were, for we thought that someone had left us a fortune. We went at once to the lawyer whose name was given in the paper. There we met two gentlemen, Mr. Carruthers and Mr. Woodley, who were home on a visit from South Africa. They said that my uncle was a friend of theirs that he had died some months before in great poverty in Johannesburg, and that he had asked them with his last breath to hunt up his relations, and see that they were in no want. It seemed strange to us that Uncle Ralph, who took no notice of us when he was alive should be so careful to look after us when he was dead, but Mr. Carruthers explained that the reason was that my uncle had just heard of the death of his brother, and so felt responsible for our fate.”

"Did not he offer to you tulip bulbs by hundreds?"

"Indeed he did."

"Accept two or three, and, along with them, you may grow the third sucker."

"Yes, that would do very well," said Cornelius, knitting his brow; "if your father were alone, but there is that Master Jacob, who watches all our ways."

"Well, that is true; but only think! you are depriving yourself, as I can easily see, of a very great pleasure."

She pronounced these words with a smile, which was not altogether without a tinge of irony.

Cornelius reflected for a moment; he evidently was struggling against some vehement desire.

"No!" he cried at last, with the stoicism of a Roman of old, "it would be a weakness, it would be a folly, it would be a meanness! If I thus give up the only and last resource which we possess to the uncertain chances of the bad passions of anger and envy, I should never deserve to be forgiven. No, Rosa, no; to-morrow we shall come to a conclusion as to the spot to be chosen for your tulip; you will plant it according to my instructions; and as to the third sucker," -- Cornelius here heaved a deep sigh, -- "watch over it as a miser over his first or last piece of gold; as the mother over her child; as the wounded over the last drop of blood in his veins; watch over it, Rosa! Some voice within me tells me that it will be our saving, that it will be a source of good to us."

"Be easy, Mynheer Cornelius," said Rosa, with a sweet mixture of melancholy and gravity, "be easy; your wishes are commands to me."

"And even," continued Van Baerle, warming more and more with his subject, "if you should perceive that your steps are watched, and that your speech has excited the suspicion of your father and of that detestable Master Jacob, -- well, Rosa, don't hesitate for one moment to sacrifice me, who am only still living through you, -- me, who have no one in the world but you; sacrifice me, -- don't come to see me any more."

Rosa felt her heart sink within her, and her eyes were filling with tears.

"Alas!" she said.

"What is it?" asked Cornelius.

"I see one thing."

"What do you see?"

"I see," said she, bursting out in sobs, "I see that you love your tulips with such love as to have no more room in your heart left for other affections."

Saying this, she fled.

Cornelius, after this, passed one of the worst nights he ever had in his life.

Rosa was vexed with him, and with good reason. Perhaps she would never return to see the prisoner, and then he would have no more news, either of Rosa or of his tulips.

We have to confess, to the disgrace of our hero and of floriculture, that of his two affections he felt most strongly inclined to regret the loss of Rosa; and when, at about three in the morning, he fell asleep overcome with fatigue, and harassed with remorse, the grand black tulip yielded precedence in his dreams to the sweet blue eyes of the fair maid of Friesland.

But poor Rosa, in her secluded chamber, could not have known of whom or of what Cornelius was dreaming.

From what he had said she was more ready to believe that he dreamed of the black tulip than of her; and yet Rosa was mistaken.